![]() It is often heard in productions with Western or rustic settings that have nothing specifically to do with the Civil War. Instead, the tune is usually played as a lively instrumental, as in the Ken Burns documentary The Civil War. The lyrics of "Kingdom Coming" are written in plantation creole, an obsolete slave dialect that preceded African American vernacular English, and the words are now rarely sung. Work also wrote the song "Babylon is Fallen" ("Don't you see the black clouds risin' ober yonder") which sees the American Civil War from the perspective of the black U.S. The slaves then celebrate their impending emancipation by Union soldiers by drinking their absent owner's cider and wine in his kitchen. ![]() With their owner absent, the slaves revolt, locking their overseer in a cellar as retribution for his harsh treatment toward them. They speculate on the future fate of the owner, whom they suspect will pretend to be a runaway slave in order to avoid capture. The song is pro- Unionist, and the lyrics are sung from the point of view of slaves in Confederate territory, who celebrate their impending freedom after their master flees the approach of Union military forces. Work in 1862, prior to the issuing of the Emancipation Proclamation by U.S. " Kingdom Coming", also known as " The Year of Jubilo", is an American Civil War song, written and composed by Henry C. Keep it moving on, keep it moving on (Stalks Inc.The cover of the 1862 sheet music for "Kingdom Coming" We're the MCs who told you those stories! ![]() So now you've heard the scene here in Legazpi We love the ladies and treat them like khaleesi The words we utter are pure south and heavy Joints and blunts and nightlife at boulevardįour wheels, two decks game on, play it hard! Yes we could be friends to our culture introduce you! I used to trash with them too, just say your name who are you? I'm smokin' the sticky weed that's why I'm at the ozone Yo my name is Jayson, the mic said to me hold on I just want to sing and to praise the local hip-hopīut I don't even wear a bling, baggy pants and closed cap?! I am a rapper but you know that I am not in FliptopĬause I don't use my tongue to insult and to be on the top We pop em' bottles like we don't care, trip it!Ĭookin' some new shit on desk for the peepsĬrusing n' pushing at home, straight 'til dawnīody has no more energy, moisture is gone We don't own the street we just shredding Rizal Street We all chuckle like a jokey clown hood town! Taking my portable cam, hooking clips on the ground To have some goody good chit-chat downtown uh Keep the flag hanging on, keep it hanging on! Keep it moving on, keep it moving on (Stalks Inc.) Keep it going on, keep it going on (Can't stop this!) ![]() Keep it coming yo, keep it coming yo (Southside!) We rally the streets in the midst of calamityĬause we have the voice in the place of zero casualty We have our own identity, pray we don't burn your effigy You can't take us down, steal the wheel and go maneuver it! We are the one that nurtures it, we are the one that fights for it I never left this place and its culture you could never throw I've seen Legazpi grow, in its hood I act like pro In the city of dreams, Mayon and dope adventures We are composed in a scene, we are the youth that ventures We're carefree and wild, yeah this is our nature We are the local culture, we are the hope and future We'll keep it coming, in this city that is full of lightsĪt night yeah, we raise our banner just like flying kites Newborn MC telling stories so just sit there tight I never thought of it that I'd be spitting rhymes and wrecking mic
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